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We speak often of dressing with intention—not simply to impress, but to remember. Clothing, at its best, doesn’t chase the moment; it carries time. Two cultural artifacts—Jazzlife, William Claxton’s genre-defining photographic journey, and Norman Jewison’s 1965 film The Cincinnati Kid—capture this idea beautifully. They show us a world not just heard or seen, but felt through fabric, fit, and atmosphere.